I remember the period in the 1980s where the Beatles were terminally uncool, and it seemed to me then like they were just my little secret, and the rest of the world didn't know anything about them.

I remember the period in the 1980s where the Beatles were terminally uncool, and it seemed to me then like they were just my little secret, and the rest of the world didn't know anything about them.

I think that's one of the problems with downloading mps these days. You never really get a chance to attune to a different logic, a different musical logic. If you hear a song and don't like it, you'll just delete it off your hard drive.

I have the longing that all writers have for new ears to pour my words into.

One of the great things about being in a band is that you meet so many other musicians who will turn you on to stuff you would never have otherwise found out about.

I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.

When you're in a daze - whether it's from running or a hangover or whatever else - I think that ideas from your subconscious can slip through more easily. The way that I write songs, for what its worth, when I'm playing music, if it's good music it will bring images forward into my mind and then I'll write down what the images are and that becomes the lyrics. I think that process is just easier if the superego has just gone away in disgust for the day.