I may not have been sure about what really did interest me, but I was absolutely sure about what didn't.

Thinking is learning all over again how to see, directing one's consciousness, making of every image a privileged place.

As soon as one does not kill oneself, one must keep silent about life.

I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.

We [Raymond and Meursault] stared at each other without blinking, and everything came to a stop there between the sea, the sand, and the sun, and the double silence of the flute and the water. It was then that I realized that you could either shoot or not shoot.

The only deep emotion I occasionally felt in these affairs was gratitude, when all was going well and I was left, not only peace, but freedom to come and go--never kinder and gayer with one woman than when I had just left another's bed, as if I extended to all others the debt I had just contracted toward one of them.

Creating is living doubly. The groping, anxious quest of a Proust, his meticulous collecting of flowers, of wallpapers, and of anxieties, signifies nothing else.