Some other memories of the funeral have stuck in my mind. The old boy’s face, for instance, when he caught up with us for the last time, just outside the village. His eyes were streaming with tears, of exhaustion or distress, or both together. But because of the wrinkles they couldn’t flow down. They spread out, crisscrossed, and formed a smooth gloss on the old, worn face.

Gilbert Jonas, painter, believed in his star.... His own faith was not, however, without its virtues because it consisted in admitting, in some obscure way, that he would obtain many things without deserving them.

There exists an obvious fact that seems utterly moral: namely, that a man is always prey to his truths. Once he has admitted them, he cannot free himself from them. One has to pay something. A man who has become conscious of the absurd is forever bound to it.

Today we are always as ready to judge as we are to fornicate.

What's natural is the microbe. All the rest-heath, integrity, purity (if you like)-is a product of the human will, of a vigilance that must never falter. The good man, the man who infects hardly anyone, is the man who has the fewest lapses of attention.

A work of art is a confession.

We turn our backs on nature; we are ashamed of beauty. Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer's ink.