But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The seas, rains, necessity, desire, the struggle against death--these are things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual, but the reality of the world is common to us all. Striving towards realism is therefore legitimate, for it is basically related to the artistic adventure.

To remain a man in today's world, one must have not only unfailing energy and unwavering intensity, one must also have a little luck.

The work of art is born of the intelligence's refusal to reason the concrete. It marks the triumph of the carnal.

At that moment he knew what his mother was thinking, and that she loved him. But he knew, too, that to love someone means relatively little; or, rather, that love is never strong enough to find the words befitting it. Thus he and his mother would always love each other silently. And one day she--or he--would die, without ever, all their lives long, having gone farther than this by way of making their affection known.

Something must happen; that is the reason for most human relationships. Something must happen; even servitude in love, in war, ordeath.

In order to understand the world, one has to turn away from it on occasion.

I always found misogyny vulgar and stupid, and I found almost all the women I have known to be my betters. However, placing them so high, I used them more often than I served them. How does one make sense of this?