There is not one talent for living and another for creating. The same suffices for both. And one can be sure that the talent that could not produce but an artificial work could not sustain but a frivolous life.

Paneloux is a man of learning, a scholar. He hasn't come in contact with death; that's why he can speak with such assurance of the truth-with a capital T. But every country priest who visits his parishioners and has heard a man gasping for breath on his deathbed thinks as I do. He'd try to relieve human suffering before trying to point out its goodness.

Gilbert Jonas, painter, believed in his star.... His own faith was not, however, without its virtues because it consisted in admitting, in some obscure way, that he would obtain many things without deserving them.

Men are never convinced of your reasons, of your sincerity, of the seriousness of your sufferings, except by your death. So long as you are alive, your case is doubtful; you have a right only to their skepticism.

At 30 a man should know himself like the palm of his hand, know the exact number of his defects and qualities, know how far he can go, foretell his failures - be what he is. And, above all, accept these things.

An intense feeling carries with it its own universe, magnificent or wretched as the case may be.

Indeed, men never know how to love. nothing satisfies them. All they know is to dream, to imagine new duties, to look for new countries and new homes. While we women, we know that we must hasten to love, to share the same bed, hold hands, and fear absence. When we women love, we dream of nothing.