I sometimes need to write things which I cannot completely control but which therefore prove that what is in me is stronger than I am.

I can negate everything of that part of me that lives on vague nostalgias, except this desire for unity, this longing to solve, this need for clarity and cohesion. I can refute everything in this world surrounding me that offends or enraptures me, except this chaos, this sovereign chance and this divine equivalence which springs from anarchy. I don't know whether this world has meaning that transcends it. But I know that I do not know that meaning and that it is impossible for me just now to know it. What can a meaning outside my condition mean to me? I can understand only in human terms.

It's not your pictures I like; it's your painting.

The best revenge you can have on intellectuals is to be madly happy.

Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.

Travel, which is like a greater and a graver science, brings us back to ourselves.

Slave camps under the flag of freedom, massacres justified by philanthropy or the taste of the superhuman, cripple judgment. On the day when crime puts on the apparel of innocence, through a curious reversal peculiar to our age, it is innocence that is called on to justify itself. The purpose of this essay is to accept and study that strange challenge.