When one has extensively pondered about men, as a career or as a vocation, one sometimes feels nostalgic for primates. At least they do not have ulterior motives.

All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant's revolving door.

Slave camps under the flag of freedom, massacres justified by philanthropy or the taste of the superhuman, cripple judgment. On the day when crime puts on the apparel of innocence, through a curious reversal peculiar to our age, it is innocence that is called on to justify itself. The purpose of this essay is to accept and study that strange challenge.

Time will prolong time, and life will serve life. In this field that is both limited and bulging with possibilities, everything to himself, except his lucidity, seems unforeseeable to him. What rule, then, could emanate from that unreasonable order? The only truth that might seem instructive to him is not formal: it comes to life and unfolds in men. The absurd mind cannot so much expect ethical rules at the end of its reasoning as, rather, illustrations and the breath of human lives.

What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.

If only nature is real and if, in nature, only desire and destruction are legitimate, then, in that all humanity does not suffice to assuage the thirst for blood, the path of destruction must lead to universal annihilation.

We spend our days in deliberating, and we end them without coming to any resolve.