In art, I think it's not useful to be a professional of the profession. It will not give you something new.

This is the power of images, the ambiguity. You are never completely sure of anything. With written language, it's more concrete. You have to establish some facts, but in movies, you see things happening, and the exact meaning behind the images is more ambiguous.

In art, I think it's not useful to be a professional of the profession. It will not give you something new.

Sometimes you go to a film and well, you are not very concentrated. In reading, you have to concentrate, to spend the time it requires in order to feel the experience of the work. You have to put all of yourself there to experience something new and to feel and perceive an atmosphere that is unprecedented.

I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.

We didn't want to live anymore in the old logic. And I like that. The consequence of that is to create the dream of that, but we all know this dream may be not possible. So here we have the key of the ambiguity of the atmosphere of my films. Is it possible, this dream? Is it as funny as it seems, or is it tragic?

I like to be challenged. I like rebellion. It adds some richness and some interest to life.