I don't know if I work in order to do something, or in order to know why I can't do what I want to do.

Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).

I paint and sculpt to get a grip on reality... to protect myself.

(Art is) the residue of vision.

All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.

In a fire, between a Rembrandt and a cat, I would save the cat.

The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.