Reading in bed is a self-centered act, immobile, free from ordinary social conventions, invisible to the world, and one that, because it takes place between the sheets, in the realm of lust and sinful idleness, has something of the thrill of things forbidden.

I have no feelings of guilt regarding the books I have not read and perhaps will never read; I know that my books have unlimited patience. They will wait for me till the end of my days.

Deserted libraries hold the shades of writers who worked within, and are haunted by their absence.

Our society accepts the book as a given, but the act of reading -- once considered useful and important, as well as potentially dangerous and subversive -- is now condescendingly accepted as a pastime, a slow pastime that lacks efficiency and does not contribute to the common good.

The shelves of books we haven't written, like those of books we haven't read, stretches out into the darkness of the universal library's farthest space. We are always at the beginning of the beginning of the letter A.

Darkness promotes speech.

In the books by Ruy-Sanchez we find again the erotic conviction that allows us to read with all the skin. The erotic, in his narratives is not a subject or a phrase, it is the clay of what they are made. In his novels every experience, trivial or extraordinary, breaths through the erotic.