I had a library of maybe 1,000 books in my room in Buenos Aires. I did have the sense that everything there was organised in the right way. You'll probably think I needed serious psychiatric treatment, but there were times when I would not buy a book because I knew it wouldn't fit one of the categories into which I had divided the library.

I've never really understood attachment to a place for reasons of birth. That my mother happened to give birth to me in a certain place doesn't, to my mind, justify any thankfulness towards that place. It could have been anywhere.

Without Leskov there would be no Bulgakov, no Chekhov, but also no Garca Mrquez and Julio Cortzar. . . . Leskov is the essential storyteller: he does not portray life, he creates it in all its wonder and terror and magic.

We can imagine the books we'd like to read, even if they have not yet been written, and we can imagine libraries full of books we would like to possess, even if they are well beyond our reacher, because we enjoy dreaming up a library that reflects every one of our interests and every one of our foibles--a library that, in its variety and complexity, fully reflects the reader we are.

The telling of stories creates the real world.

But at night, when the library lamps are lit, the outside world disappears and nothing but the space of books remains in existence.

Each book was a world unto itself, and in it I took refuge.