I feel about romance the same way I do about a vocation; it's a calling.

But even a kid, directing was something that I did. I made short films in school. I feel like I've been in the best film school in the world.

I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.

I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].

Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.

When you work for the Coens, they are so fun and so organized. They treat everyone with such respect. And the character I got to play was so fun.

With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.