It was pretty fun [auditioning on the Millennium Falcon], because I enjoyed the material a lot. Last year I read for the directors, then came to England and did a test on the Falcon, then came back and did a couple more screen tests in Los Angeles.

[The Coen brothers] hire the same people over and over again, so there's a shorthand between all of the people they're working with.

I've had that experience many, many, times - when you don't get roles. I'd developed a good muscle for shaking it off.

When I was 14 years old, I was by no means trying to work professionally at all.

When you work for the Coens, they are so fun and so organized. They treat everyone with such respect. And the character I got to play was so fun.

Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.

I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.