It feels like you're being invited into a kind of community [working with the Coen brothers].

I had the opportunity to learn more about what life is like for a soldier [in The Yellow Birds].

[Howard Hughes ] approached filmmaking like he approached all of his inventiveness - it gave him an opportunity to make a name for himself in the world.

When I was 14 years old, I was by no means trying to work professionally at all.

The movie [Blue Jasmin] shot very quick. I met Cate Blanchett in the car on the way to set, and we did that last scene, and she was just so phenomenal. I had basically met her that day. Because the way he shoots, everybody just shows up and does their thing, and he moves us very quickly.

[Warren Beatty] definitely sees 'Rules' as a comedic consequence to the American sexual puritanism that is dramatically presented in 'Splendor.'

Each time demands its own kind of film.