An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.

I feel about romance the same way I do about a vocation; it's a calling.

When I worked with anybody like Woody Allen, there's the name, and your understanding of who they are before you meet them, that stays in your head a little bit.

Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.

Even when Warren [Beatty] cast me, it had been two years between films at that point.

It was pretty fun [auditioning on the Millennium Falcon], because I enjoyed the material a lot. Last year I read for the directors, then came to England and did a test on the Falcon, then came back and did a couple more screen tests in Los Angeles.

That was cool, because they've all [ George Clooney and Josh Brolin and Scarlett Johansson] worked with the Coens. They were much more at ease with them at the outset, and they were all kind of familiar with the shorthand that the Coens had.