Photography's future is infinite and bright. It's growing exponentially, so that's great, but for me as a practitioner, that exponential growth makes it even more problematic. And so for me, it's got me more engaged with storytelling.

For good work to develop the technology needs to become as stable and functional as a typewriter.

Watching my daughter sort of live in this world where a photograph is not something to keep a memory. It's something to just speak with. It's language.

For me, photography is as much about the way I respond to the subject as it is about the subject itself.

I didn't want to pretend to be a conceptual artist that charges $10,000 for an experience. It's just not what I am. I'm a photographer and I make prints. And people buy a print, and I understand that. But I'm uncomfortable with buying an experience.

[Photography is] very related to poetry. It's suggestive and fragmentary and unsatisfying in a lot of ways. It's as much about what you leave out as what you put in.

If limitation spawns creativity, is the limitless resource of the Internet a good thing?