I'm a project-based photographer; I think in narrative terms, the way a writer thinks of a book, or a filmmaker a film.

For me, photography is as much about the way I respond to the subject as it is about the subject itself.

For good work to develop the technology needs to become as stable and functional as a typewriter.

In assembling this group of portraits of women, I'm aware that I'm treading on dangerous ground. When I was in college, I learned to be distrustful of men's depictions of women. I remember seeing Garry Winogrand's book Women Are Beautiful in the school library and being shocked that it hadn't been defaced for its blatant objectification of women. But looking back, maybe I was too harsh. Whether one photographs men or women, it is always a form of objectification. Whatever you say about Winogrand, his depiction was honest.

I'm like the annoying guy in the street.

Photography, for me, is a lot like web surfing in real life.

In a world where the 2 billionth photograph has been uploaded to Flickr, which looks like an Eggleston picture! How do you deal with making photographs with the tens of thousands of photographs being uploaded to Facebook every second, how do you manage that? How do you contribute to that? What's the point?