For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.

Sometimes a piece of music in the score isn't effective. When a score is too well finished with too many elements, sometimes it's too much.

My movies, in general, I have the impression that when they finish of course they're never originally what you had in mind.

An Oscar means a lot of things because it's like the ultimate award for a filmmaker so it feels great. But I think you have to consider awards with some distance and not get obsessed with it. When you're creating you shouldn't think about it.

I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.

I could feel the real interaction between directing and acting, when an actor or an actress really suggests very interesting things.

My first cut is always pretty similar to the final cut.