You hear about bombings in other countries, or numbers like "10,000 people died" - you hear that number and you think, "Well, I saw that yesterday in a film, and that didn't look so bad." Younger viewers, in particular, lose perspective on reality.

Fear is the condom of life. It doesn't allow you to enjoy things.

All people know that they will die, but they don't actually believe it.

Actually, when I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe. On the last trip, I stayed in Europe for one year with $1,000, working everywhere I could, doing everything. Those years shaped me a lot and taught me the value of exploring different things.

I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.

I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country.

I don't have anything against commercials, and I really like BMWs.