All my films have always been released in the autumn, maybe because they're more melancholy to people.

I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.

Actually, when I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe. On the last trip, I stayed in Europe for one year with $1,000, working everywhere I could, doing everything. Those years shaped me a lot and taught me the value of exploring different things.

I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.

I like to make films, but the only reason I do is because I'm a very bad musician.

I saw what I could [in Mexico City], but we rarely got anything other than big, mainstream American films.

It's more enjoyable for me to know that life is finite. Knowing that, I would like to go to a party.