I wanted to make a film that gave the people who took LSD at that time the hallucinations that you get with that drug, but without hallucinating.

The first thing I didn't understand was my life. It's a mystery. And today I don't understand economy or politics. I don't know why politics or economy are destroying the world, but I will understand after understanding.

The planet is ill, everyone knows that. But I need to be optimistic, otherwise I would just be adding to the negativity. So every night I come on Madrid TV and read a piece of good news.

When I was a young person I went to the university and I learned a rational language, to think with the left side of the brain. But in the right side of the brain you have intuition and imagination. Words are not the truth; they indicate the way to go, but you need to go alone, in silence. Symbols have a language that kills the words.

I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough.

And I imagine... with great pleasure... all the horrible stirrings of the nonmanifested to bring forth the scream which creates the universe. Maybe one day I'll see you trembling, and you'll go into convulsion and grow larger and smaller until your mouth opens and the world will come from your mouth, escaping through the window like a river, and it will flood the city. And then we'll begin to live.

I wanted to make a film that gave the people who took LSD at that time the hallucinations that you get with that drug, but without hallucinating.