One of the many conditions that have to be met for a brain to become a mind, and therefore have consciousness, is 'the analog I' around which all the simultaneous inflow of sensations and stimulations are reflected and organized.

I do believe - and I know I shouldn't - that art transcends money and success and any of that. You can still do it if you're not clinging to the notion of nobility.

We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.

Europe has never been a monolithic space, it contains a lot of people, a lot of languages and infinite supplies of history. I didn't need to do anything to showcase diversity. It is a condition of life and art in Europe, contained in every random sample.

I want to change something. I want to stop the germs from attacking my daughters.

I want to make money, and I would like to have a lot of money, but I still believe that the only reason to write is that somehow it will make something or somebody better.

I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.