I had grown up among engineers, and I could remember the engineers of the twenties very well indeed: their open, shining intellects, their free and gentle humor, their agility and breadth of thought, the ease with which they shifted from one engineering field to another, and, for that matter, from technology to social concerns and art. Then, too, they personified good manners and delicacy of taste; well-bred speech that flowed evenly and was free of uncultured words; one of them might play a musical instrument, another dabble in painting; and their faces always bore a spiritual imprint.

Hastiness and superficiality are the psychic diseases of the 20th century, and more than anywhere else this disease is reflected in the press.

Macbeth's self-justifications were feeble - and his conscience devoured him. Yes, even Iago was a little lamb too. The imagination and the spiritual strength of Shakespeare's evildoers stopped short at a dozen corpses. Because they had no ideology.

A storm breaks trees. It only bends grass.

We have been fortunate enough to live at a time when virtue, though it does not triumph, is nonetheless not always tormented by attack dogs. Beaten down, sickly, virtue has now been allowed to enter in all its tatters and sit in the corner, as long as it doesn't raise its voice.

To do evil a human being must first of all believe that what he's doing is good.

The next war... may well bury Western civilization forever.