When the whole discussion of "developing a national idea" hastily began in post-Soviet Russia, I tried to pour cold water on it with the objection that, after all the devastating losses we had experienced, it would be quite sufficient to have just one task: the preservation of a dying people.

A work of art contains its verification in itself: artificial, strained concepts do not withstand the test of being turned into images; they fall to pieces, turn out to be sickly and pale, convince no one. Works which draw on truth and present it to us in live and concentrated form grip us, compellingly involve us, and no one ever, not even ages hence, will come forth to refute them.

I have grown used to the fact that public repentance is the most unacceptable option for the modern politician.

Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers

It would have been difficult to design a path out of communism worse than the one that has been followed.

Mistakes are a great educator when one is honest enough to admit them and willing to learn from them

Surely people should eventually cease to be surprised at anything? And yet they continue to be.