I guess Ive always wanted to push the boundaries as an actor.

You're making these movies for pennies, there's absolutely nothing to offer anybody, and they will still fight you! "There's no more back-end for him? Well he'll have your back-end! He'll take your first born child!" Producing is totally exhausting.

When you speak in another accent, it affects you. You can't help but be changed by it.

Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.

Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.

It's not your responsibility to have the bigger picture in mind. But, the downside is that then, a lot of times, you're disappointed by the movies that are made around you.

Well, I've never been in a touring rock band, it was all just high school and college, playing toga parties in frat houses.