Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.

Just getting to the point where we are now with 'To Dust' movie - where we've raised the money, put the crew together, signed all the actors up and are going on a certain date - is one of the biggest achievements of my life. It's nice, and producing definitely helps me to use the other side of my brain. I get brain fatigue from all of the creative drive.

I've never felt that I've had some great fashion sense of my own - I tend to wear what my wife tells me to wear.

It's not your responsibility to have the bigger picture in mind. But, the downside is that then, a lot of times, you're disappointed by the movies that are made around you.

As far as my notoriety or whatever, I haven't been the star of a hit film.

I live right under the Hollywood sign, so that every day when I drive home I'm reminded of why I'm here.

I don't separate Robert DeNiro's comedy from the serious stuff. The one thing I realize working with him in all of his work, is that he doesn't do anything unless something happens to him in scenes - unless something happens to make him react. He never came in with a set idea of how he was going to do it, he never came in with guns blazing. He would just show up and wait to see what happened.