Yeah, I’ve played a lot of instruments, and I played in a lot of bands growing up and I’ve even had to play music in a lot of films that I’ve done.

You're making these movies for pennies, there's absolutely nothing to offer anybody, and they will still fight you! "There's no more back-end for him? Well he'll have your back-end! He'll take your first born child!" Producing is totally exhausting.

You have to be in movies that make money to be offered work. Basically that's the equation. There's no real way around that. That said, you don't ever make decisions solely for that reason.

Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.

I don't separate Robert DeNiro's comedy from the serious stuff. The one thing I realize working with him in all of his work, is that he doesn't do anything unless something happens to him in scenes - unless something happens to make him react. He never came in with a set idea of how he was going to do it, he never came in with guns blazing. He would just show up and wait to see what happened.

The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.

People are always going to identify with what it's like living in society and have people judge you in certain ways, and how you can be strong enough to be your own person and all those good things.