Normally, small talk is enough for me to form an opinion of someone. I make quick judgments, often completely wrong, and then stick by them rigidly.

I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.

Vietnam, me love you long time. All day, all night, me love you long time. (...) Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning. Long time.

If you look at the whole life of the planet, we - you know, Man - has only been around for a few blinks of an eye. So if the infection wipes us all out, that is a return to normality.

If I'd learnt one thing from travelling, it was that the way to get things done was to go ahead and do them. Don't talk about going to Borneo. Book a ticket, get a visa, pack a bag, and it just happens.

It slightly depends on your perspective, sort of how you look at these things, but when I sit down to write a script, I'm not planning to write a script; I'm planning to make a film, and so I only see the script as being just a step there.

I can kid people, including myself, into believing that something on the page will work. But when you film it, you just think, "Oh ...".