There's a character that I play onstage, and I can't let him loose in the supermarket when I'm buying my beans on toast.

The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.

I'd rather eat a cow-pat on a bun than a bloody McDonalds.

Although they might not admit it, I think girls are very aware of the impact that they're having. But they never feel it themselves, and it's impossible to explain. It's like trying to tell a blind person what yellow is.

I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'

There's a character that I play onstage, and I can't let him loose in the supermarket when I'm buying my beans on toast.

Maybe 'Can't Stop Feeling' and 'Turn It On' we'll just release as singles. It's a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.