There's this biological association, when you do this movement, these things happen, and you're basically trying to rewire this 4-billion-year-old reflexive circuitry, which for me can be challenging if I don't really focus. It's the one of the few times as an actor where you are basically showing something with your body and your face that's completely different than what's going on in your mind.

What I like in comedies are really two things: stories that are character-driven and stories that are rooted in authenticity.

I do have commitment phobia, which I think is underlied by death anxiety. I feel that if you are in a relationship, there is a real genuine possibility of plateauing, and there is a possibility for a creative, emotional and spiritual death because of it. Only part of me feels this way, but it's enough to create an anxiety which makes me think twice before committing.

Relationships are possible, but are definitely not a road paved with roses.

My day-to-day local issues are rooted in an underlying fear of death.

A lot of young people think they are not going to die - and that's a great thing about being a young person, is living in this carefree oblivion.

Some people should have more levels of maturity than others, but you know to have a show that's grounded, tethered to reality, if you follow a group of people for six years and you show no maturity, I think that would be inaccurate.