I use the iPhone now for information. But with selfies, I don't know what those people are doing. It's like they believe what they see is real, even with the [filters]. And God bless them! But to me, it's not a self-portrait, it's a reality project.

A New York audience generally likes decorative paintings, and decorative paintings go with the couch. If you change the couch, you change the painting. And when you're coming up, and the paintings aren't first-class decoration, you're at a disadvantage for publicity and sales.

Most important, for openers, work six hours a day, seven days a week for six years. Then if you like it you can get serious about it.

If you're going to go for 'it' you have a common thing you share with other artists; that's desperation. You jump out a window style-wise. Try to put it together before you hit the ground.

Realist painting has to do with leaving out a lot of detail. I think my painting can be a little shocking in all that it leaves out. But what happens is that the mind fills in what's missing . . . Painting is a way of making you see what I saw.

Paint faster than you can think.

The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.