An emotional story is an emotional story no matter how big or small it is.

I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.

An emotional story is an emotional story no matter how big or small it is.

When you're a kid and you're a superhero lover, the holy trinity is Batman, Superman and Spider-Man, so to be able to take any of those and play with it is a huge joy.

We were such fans of Sleepy Hollow, in all of its iterations - growing up with the Disney show, and then Tim Burton's and, obviously, the most important being Washington Irving's short story. It evokes and invokes a very specific feeling and tone.

I think what all the Universal monster movies are defined by, and what makes them very special, is that it's really the only genre entirely unto itself, in which you fear the monster and fear for the monster. That's a very hard thing to do. To fear for and fear at the same time is extremely unique.

I love the opportunity to tell the story about the characters through the music.