An emotional story is an emotional story no matter how big or small it is.

You always go by your gut. That's the best you can do. You go by what you feel, and you say yes or no based on what it inspires in you.

By actually taking Sleepy Hollow and the Rip Van Winkle story, and finding the spirit of what was great about both of them and putting them together. So it felt, actually, like one of those ideas that clicked for us, right away, on instinct.

When you start a script you aim to hit a note you know you want to end in general.

I think what all the Universal monster movies are defined by, and what makes them very special, is that it's really the only genre entirely unto itself, in which you fear the monster and fear for the monster. That's a very hard thing to do. To fear for and fear at the same time is extremely unique.

I think our goal and intention is to make sure that, when you watch each episode, you don't have to make that choice, but also that you can have stand-alone episodes, where a story can have a beginning, middle and end.

I do believe that people go to the movies - for one reason or another - they go to the movies to have an experience.