Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity, the grit and grimness and jubilance and beauty.

Poetry does need a bit of ferocity. The only way to attend to the fractured world is to write a ferocious kind of music, to sing that volatility.

My poems and prose are not often in direct conversation with each other, but there's so much crossover - everything that comes out of that crucible of language - that working in poetry and prose is energizing - to me as a writer and to the work itself.

Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity, the grit and grimness and jubilance and beauty.

Being deeply aware of fragility and ecstasy seems to me an essential part of being alive and living fully - and there's no way for me to separate this from my poems.

The more prose I wrote, the more the pendulum swung back toward the middle, merging some poetic sensibilities with the more fundamental elements of creative prose.

I found it incredibly challenging to write clear prose that had the dynamism that I wanted.