I tried to take a few community college classes, but it got in the way of music, so I stopped. I had real life college and traveling on the road college. It's like a segue into adulthood, like living on your own for the first time.

I went from living in my dad's basement to moving to New York. So I never had that middle ground of easing into adulthood.

I call my backup singers my sister wives. To me, they are my best friends. We are all super close. It's kind of like the closest relationship you can have without being blood related, to me. It's a joke that they're sister wives - obviously, we're not polygamists.

I'm actually one of the few kids in my grade, especially girls, who didn't end up going to college, just because I already knew what I wanted to do. I had already been actively working in music before I graduated.

I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.

I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.

I hate saying I'm a new musician, because I've been doing this forever, but they like to put new musicians on a lot of weird bills.