Oh! this opponent, this collaborator against his will, whose notion of Beauty always differs from yours and whose means (strength, imagination, technique) are often too limited to help you effectively! What torment, to have your thinking and your phantasy tied down by another person!

That which Steinitz gave to the theoretical aspect of the game when he was at his best is very remote to all out home-bred chess philosophers, but with his views on Morphy, whom he tries to discredit completely, it is of course impossible to agree.

Chess, like other arts, must be practiced to be appreciated.

The infallible criterion by which to distinguish the true from the would-be strategist is the degree of originality of his conceptions. It makes little difference whether this originality is carried to excess, as was the case with Steinitz and Nimzowitsch.

You can become a big master in chess only if you see your mistakes and short-comings. Exactly the same as in life itself.

Psychology is the most important factor in chess.

Playing for complications is an extreme measure that a player should adopt only when he cannot find a clear and logical plan.