Now I design what I want to wear, and it works that way.

I'm about what goes through people's minds. The stuff that people don't want to admit or face up to. The shows are about what's buried in people's psyches.

These beautiful models were walking around in the room, and then suddenly this woman who wouldn’t be considered beautiful was revealed. It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.

When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she's rammed the piece of lace with her antlers. There's always spontaneity. You've got to allow for that in my shows.

I spent a long time learning how to construct clothes, which is important to do before you can deconstruct them.

Animals fascinate me because you can find a force, an energy, a fear that also exists in sex.

There is no better designer then nature