I was three years old when I started drawing. I did it all my life.

It's almost like putting armor on a woman. It's a very psychological way of dressing.

You can hide so much behind theatrics, and I don't need to do that any more.

These beautiful models were walking around in the room, and then suddenly this woman who wouldn’t be considered beautiful was revealed. It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.

It needs to connect with the earth. Things that are processed and reprocessed lose their substance.

There has to be a balance between your mental satisfaction and the financial needs of your company.

I work with people I admire and respect. It's never because of who they are.