I was three years old when I started drawing. I did it all my life.

Having money hasn't changed me. If anything it's made my life worse. People come up to you who knew you before you were famous and who didn't come up to you before. I'm a clever designer. I can do what the client wants. But I'm prepared to forget about money if it affects my creativity because, remember, I started off with nothing. And I can do that again.

I was three years old when I started drawing. I did it all my life.

When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she's rammed the piece of lace with her antlers. There's always spontaneity. You've got to allow for that in my shows.

Clothes and jewellery should be startling, individual.

If you ask any lady they want to be taller, they want to be slimmer, you know, and they want a waist. I'm not here to make people look like a sack of potatoes.

What I do is look at ancient African tribes, and the way they dress. The rituals of how they dress. . . . There's a lot of tribalism in the collections.