I'm not very active on social media. I'm not on Facebook or Twitter or Instagram, or anything like that. But I think it's wonderful that they're out there. They're fantastic. I have a lot of siblings and friends that use it, and it's great for them. It's such a connected world.

There's something I love about how stark the contrast is between January and June in Sweden. In a way, I feel that time doesn't exist in LA. Sometimes I don't know if it's February or April or October, because you're always sitting outside on the same patio, and it's 70 degrees.

It's difficult to get to know a Swede. But once you do, you're in.

When I'm on a plane, people know where I'm going before I even know where I'm going. People know where you had lunch yesterday, or who you had lunch with. So, trying to avoid sharing everything with everyone is my way of keeping something private in my life.

I don't fall often, but I fall hard. And when you fall hard, it takes a while to get up.

When you meet a director who wants to remake a movie, you have to ask, does he or she have an interesting vision and idea, something that intrigues you - is there a reason why we should do this?

A lot of times we associate Greenpeace and climate change and shrinking polar caps with heavy-handed, weighty material. It's somber stuff. But with Funny Or Die we thought we could put an interesting take on it. Make it a little more palatable, especially for young people who tune into the website.