My process with starting a new project and whatnot is I begin around a title. Usually, based off of just a title, I'm able to put together themes and concepts from there. I've always admired Hunter S. Thompson's titles for his books. They're always wordy and pretty elaborate.

My process with starting a new project and whatnot is I begin around a title. Usually, based off of just a title, I'm able to put together themes and concepts from there. I've always admired Hunter S. Thompson's titles for his books. They're always wordy and pretty elaborate.

Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.

I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.

I really don't try to force the creative process. I'm really jealous of those other rappers who just hear a beat and write a song within minutes. I know a lot of rappers like that. I'm the type of artist who kind of has to sit with some stuff for a while.

Hip-hop music, in my opinion, is still very closed-minded, and if you're trying to do something that's too different, you get categorized as trying to do some kind of "alternative hipster" thing.

I like textures and tones. Sometimes, it will be a melodic feedback from a song or something. I like warm, ethereal sounds. That kind of gets covered in every genre of music, so it could be a rock sample, jazz, soul, reggae.