I really admire the experimentalists who challenge traditional narrative - writers like Ishmael Reed, Michael Martone, Donald Barthelme, Tatyana Tolstaya, George Saunders, and many others.

Presently we're seeing these kinds of battles for our most vulnerable students - such as Trans and LGBTQ students. You have a lot of conservative parents/school boards making life much harder for these children by trying to ensure bullying remains in place.

In Nepal, I realized a certain part of my spiritual search had come to an end. I wasn't ever going to live in a Himalayan cave (I like electricity and a soft bed way too much), and I sure wasn't going to find enlightenment so easily.

I think the challenge for humans remains the same as it has always been: to learn the skills of kindness, compassion, and love. Without these sacred skills, all technology can do is grow the shadows in our lives.

I was really interested in this ability for others to create virtual memories for us. In "The Cartographers" I explore this through Adam Woods, and the company he works for, which produces virtual memories that people can beam into their consciousness. While the technology is sci-fi, the story is also a metaphor for the way love relationships create memories in our minds.

I realize that I've had a very idyllic vision of what spirituality looks like. Honestly, most of Western culture has an idyllic and simplified idea of what enlightenment entails.

When I wrote the story ["The Cartographers"], I'd just gone through a breakup with a woman I'd loved dearly. Without this other person in my life, the memories we'd shared often felt like phantoms. Who was this person I once loved? Did she still really exist? The answer, on a metaphysical level, was that this person didn't still exist. She'd gone on to become a different person, an individual with new hopes and dreams which no longer involved me.