"Moksha" is really a satire of myself. I've always been interested in Eastern spirituality. I'm particularly interested in enlightenment and the spiritual pursuit to liberate ourselves (I'm a Buddhist at heart). During my teenage years, I imagined I'd end up going to India to become a yogi; study with the last living saints in a cave; give up all my worldly possessions; learn to levitate. And there's still part of me that can see myself "disappearing" for some years at an ashram somewhere.

Presently we're seeing these kinds of battles for our most vulnerable students - such as Trans and LGBTQ students. You have a lot of conservative parents/school boards making life much harder for these children by trying to ensure bullying remains in place.

David Foster Wallace was a brilliant experimentalist who I deeply admire. His ability to do formalism helped me understand how to tackle stories like "Dictionary" and "Failed Revolution." "Dictionary," in particular, functions against narrative in many ways - each of the definitions are their own mini-story or prose poem, and the collection of them adds up to create a different effect than the traditional Freytagian Pyramid story.

I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!

In Nepal, I realized a certain part of my spiritual search had come to an end. I wasn't ever going to live in a Himalayan cave (I like electricity and a soft bed way too much), and I sure wasn't going to find enlightenment so easily.

One of my central approaches to writing speculative fiction is to take an absurd situation, which we presently feel is normal, and then push it to an even further absurdity. It's only in this light that we can see the reflection of the disturbing state of our present-day affairs.

While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like [Pavel] Chekhov and [Lev] Tolstoy, and their ability to portray our human struggles and joys.