I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.

I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.

My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.

Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.

Learn from your experience shooting your film, and then move on to the next.

A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.

When you work with kids, people tell you to be very delicate, but that's the last thing you should do with kids. They feel patronized if you're like that. They just want you to be normal.