The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.

I think people need to understand that with plays and with cinema, when you hear about it, call and get a ticket then or go and see it then. It's especially with the play, which I can do because it's a limited run.

I rather go to see a good play than be in one.

People live a lot freer in their body and their voices and their moves than people act onscreen.

I identify myself as an actor, because I feel like you don't go to the doctress, you go to the doctor; it doesn't matter what the gender is. I think actresses worry about eyelashes and cellulite, and women who are actors worry about the characters we are playing. A separate category is another way of making us a special-interest group.

I am not getting any younger and am taking a new approach to life.

You very seldom see a picture where you watch the process of falling in love.