And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.

When I get home after being away for work, my wife always stuffs the fridge with loads of what she calls 'nibbles' - all the great things you can eat straight from the fridge, like chunks of cheese, slices of ham, bowls of hummus.

The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.

If anything, as a general rule, the cheaper the movie the more creative the experience, generally speaking. Its not to denigrate expensive movies. I dont want to seem biting the hands that feed me, but with big movies, especially with a lot of effects, the role of the actor is somewhat diminished.

I love theater work because of the immediate effect your performance has on the audience. And I love the repetition, I love getting on the same stage for more than a month and reciting the same lines, trying to make a small or large step towards an improvement in my acting.

I've always been terrified about being bored. I always think being bored is the worst thing. The only strategic decision I ever made as an actor was to try and make each job as different as possible.

I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.