Screen work always boils down to that moment between the camera and the actor or the actors. It always boils down to that, ultimately. You serve the camera.

You're suspended sixty feet up in the air, you've been up there for three hours, and all the shot requires is that you have to sort of react to getting punched in the head.

My father was a waiter basically, and when I got my first professional job as an actor, I left a job that he found me for half the amount of money. So anyone would think that they're stupid, that that would be a stupid move.

To be challenged means to strive. I'm almost certain that's true.

There are many actors who have inspired me: Spencer Tracy for his incredible elegance and, of course, Cary Grant. But, there's also an Italian actor I admire a great deal: Alberto Sordi.

I think enjoying each other in a creative way is usually a result of when you're doing something that might be problematic - might be a little difficult to uncover. I've done it once in a stage production; we came in for two days and, just as an experiment, the director had us reading each other's roles. You hear another voice interpreting a line that maybe you were having trouble with. It can be very helpful. But we weren't really in the kind of situation where that was necessary.

Playing villains is very liberating because unlike the leading man, nothing is expected of you. Leading men have to look good, they have to behave in a certain way, they have to fulfill an audience's expectations. But as a bad guy, you have free license to take the audience by surprise. And that's what audiences want - they want unpredictability from their villains. The villain's job is to subvert it.