Every job is different. I don't think that I've ever had that wonderful feeling when you've finished a job or where you feel like you've mastered it or sort of nailed it... You can never be satisfied. If you're satisfied, it's time to retire.

Playing villains is very liberating because unlike the leading man, nothing is expected of you. Leading men have to look good, they have to behave in a certain way, they have to fulfill an audience's expectations. But as a bad guy, you have free license to take the audience by surprise. And that's what audiences want - they want unpredictability from their villains. The villain's job is to subvert it.

Character actors aren't a brand in the same way that high-profile leading men are.

I think enjoying each other in a creative way is usually a result of when you're doing something that might be problematic - might be a little difficult to uncover. I've done it once in a stage production; we came in for two days and, just as an experiment, the director had us reading each other's roles. You hear another voice interpreting a line that maybe you were having trouble with. It can be very helpful. But we weren't really in the kind of situation where that was necessary.

You're suspended sixty feet up in the air, you've been up there for three hours, and all the shot requires is that you have to sort of react to getting punched in the head.

To be challenged means to strive. I'm almost certain that's true.

And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.