Racial history is therefore natural history and the mysticism of the soul at one and the same time; but the history of the religion of the blood, conversely, is the great world story of the rise and downfall of peoples, their heroes and thinkers, their inventors and artists.

On the other hand, heroism is basic to the character of the Nordic peoples. This heroism of the ancient mythic period and this is what is decisive has never been lost, despite times of decline, so long as the Nordic blood was still alive. Heroism, in fact, took many forms, from the warrior nobility of Siegfried or Hercules to the intellectual nobility of Copernicus and Leonardo , the religious nobility of Eckehart and Lagarde, or the political nobility of Frederick the Great and Bismarck , and its substance has remained the same.

A determined will, grounded on a clear order of rank of values, coupled with organic strength of outlook, will also one day - despite all hindrances - enforce its realisation in all domains.

At last, Mythic feeling and conscious perception no longer confront each other as antagonists but as allies. Passionate nationalism is no longer directed toward tribal, dynastic or theological loyalties, but toward that primal substance, the racially based nationhood itself. Here is the message which will one day melt away all dross, eliminate all that is base, and bring into being all that is noble.

The Berbers, among whom even today one finds light skins and blue eyes, do not go back to the Vandal invasions of the fifth century A.D., but to the prehistoric Atlantic Nordic human wave. The Kabyle huntsmen, for example, are to no small degree still wholly Nordic (thus the blond Berbers in the region of Constantine form 10 % of the population; at Djebel Sheshor they are even more numerous).

Hanns Heinz Ewers tells a short story of a boy who was so unnatural of disposition as to take a special delight in people sick with elephantiasis. Our "European intellectuality" finds itself in an identical condition today which, through Jewish pens, worships the Kokoschka, Chagalls and Pechsteins as the leaders of the Art of the future. Features of degeneracy are already apparent, as, for instance, with Schwalbach, who dares representing Jesus as flat footed and bow legged.

We bear a heavy and therefore a great destiny.