My ideal is to achieve the ability to produce numberless prints from each negative, prints all significantly alive, yet indistinguishably alike, and to be able to circulate them at a price not higher than that of a popular magazine, or even a daily paper. To gain that ability there has been no choice but to follow the road I have chosen.

When I make a picture, I make love.

There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.

All art, like all love, is rooted in heartache.

We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.

The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.

Everything is relative except relatives, and they are absolute.