I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.

In 2016, the conversation of the black experience is so broad, and it's very raw. I mean, c'mon, we have a black president. That's a major thing, and there are so many other significant occurrences that have come from the '60s and '70s up to now.

I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.

I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.

There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.

For the future, be true to yourself. If you're gonna be influenced by someone be influenced by them. Don't cop them so much that you're a clone. No one wants to deal with a clone. There's not that much more substance in being a clone, but definitely be influenced by people...take what you can from that and sculpt it into your own situation. In doing so, you'll be happy and I think your people will be happy listening to what you do.

That's always been the process of our music, in a sense, keeping it simple, not being so heavy that you are beating people over the head, it's just weighted down and it's like, "oohhh I can't relate." People are able to relate because we talked about things that everyone has experienced, it doesn't matter your race or genre. Music was your mainstay. There was something in our element of music that connected.