I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.

I've spent half my life on planes. I have a lot of love for New Zealand, though. That is where the really arty, whimsical side of the family resided - in Hobbitland.

I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.

I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.

I think you manifest what you believe, and when you believe that you have no choice you lose choice.

I deliberately went to boarding school. It was my choice. My mum was abroad and I wanted to wean myself off being dependent. It was a very important time for me to be able to create my own individual, independent life; just as a way of growing up.

I think that every child grows up with the ideas that what we our given, is our society. Your education, and your mother and father, they tell you this is how it is, but then you hit adolescence and you think, 'Is it? Why? Why is it like that?' Sometimes that questioning leads to something more. Sometimes it doesn't, and we just continue these cycles.